![]() I worked on many projects using those very plates, and, yes, the Golden Reverberator sounds and feels like a great hardware plate. In fact, UA based their models on the plates from the old Record Plant studios in Sausalito, California. The EMT and 224 algorithms sound nearly identical to their UA predecessors-and that's saying something! (I've been using UA's Apollo system for the better part of a decade, and I know these plug-ins well.) UA did an astounding job capturing the warmth and depth of an EMT plate, a huge and expensive hardware beast. Even the longest, quietest reverb tails maintain immersive warmth and detail. Sometimes they have unwanted resonant frequencies that prevent the wet signal from meshing harmoniously with the dry tone. ![]() Many reverb stompboxes sound decent enough, but they betray digital artifacts during quiet passages or long, exposed decays. (My audio clips include all 12 tones.) A four-core ARM processor does the heavy digital lifting. You can unlock three additional 224 effects after registration. The pedal ships with nine reverb algorithms: three Fender-style spring simulations, clones of three analog EMT plates, and room and hall sounds from Lexicon's 224 unit. The audio and 9V DC jacks are top-mounted. It has two footswitches, six knobs, and three mini-toggles. The 5 ½" x 3 ½" x 1½" enclosure is slightly larger than a standard B-sized box. The Golden Reverberator and its siblings share the same dimensions and control layout.
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